The Original 80s Remix Box Set: Massive Eighties Hits Extended and Remixed

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1The Reflex (dance mix)
associate producer:
Duran Duran (English rock band) and Ian Little (producer, engineer, songwriter)
producer:
Duran Duran (English rock band), Ian Little (producer, engineer, songwriter) and Alex Sadkin
remixer:
Jason Corsaro (U.S. music engineer, and record producer) and Nile Rodgers
recording of:
The Reflex
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
Beechwood de México, S.A. de C.V., EMI Music Publishing (do not use as a release label!) and Gloucester Place Music Ltd.
Duran Duran56:35
2Penthouse and Pavement (Tommy D’s Master remix)
recording of:
Penthouse and Pavement
lyricist:
Glenn Gregory
composer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
publisher:
Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 177:06
3Lifeline (12″ version)
recording of:
Lifeline
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet5:16
4Enola Gay (OMD vs. Sash! radio edit)
producer:
Mike Howlett and Orchestral Manoeuvres in the Dark
remixer:
Sash! (German DJ/production team)
remix of:
Enola Gay by Orchestral Manoeuvres in the Dark
recording of:
Enola Gay
lyricist and composer:
Andy McCluskey
publisher:
Dinsong Music and Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark4:08
5The Circus (remix)
recording of:
The Circus
writer:
Andy Bell (singer / songwriter for Erasure) and Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
Erasure24:07
6Reap the Wild Wind (12″ version)
recording of:
Reap the Wild Wind
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox4:46
7Situation (12″ remix)
producer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…), Daniel Miller (British music producer and founder of Mute Records) and Eric Radcliffe (UK producer / engineer / musician)
keyboard and synthesizer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
vocals:
Alison Moyet
remixer:
François Kevorkian
phonographic copyright (℗) by:
Sire Records (in 1982)
recording of:
Situation
writer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) and Alison Moyet
Yazoo3.355:45
8It’s a Miracle / Miss Me Blind (US 12″ mix)
producer:
Steve Levine (producer)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1984)
produced for:
Do Not Erase Productions
medley including a recording of:
It’s a Miracle
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
Pendulum Music Ltd., Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
medley including a recording of:
Miss Me Blind
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
Culture Club59:12
9She Blinded Me With Science (US mix)
recorded in:
England, United Kingdom
producer:
Tim Friese‐Greene and T. Dolby
bass synthesizer:
Matthew Seligman
violin:
Simon House
background vocals:
Kevin Armstrong (UK guitarist, producer & songwriter), Robert John “Mutt” Lange (Robert John Lange) and Miriam Stockley
lead vocals:
Thomas Dolby
spoken vocals:
Magnus Pyke
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 13)
recording of:
She Blinded Me With Science
lyricist:
Thomas Dolby and Tim Kerr (songwriter working with Thomas Dolby)
composer:
Thomas Dolby
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Participation Music Inc.
Thomas Dolby55:10
10He Ain’t No Competition (12″ version)
recording of:
He Ain't No Competition
composer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., Mike Stock Publishing Limited, Sid’s Songs Limited, Universal Music Careers, Universal–Songs of PolyGram International, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Brother Beyond5:43
11Imagination (12″ version)
recording of:
Imagination
lyricist and composer:
Neville Keighley
Belouis Some33:35
12We Close Our Eyes (12″ version)
recording of:
We Close Our Eyes
writer:
Peter Cox (Artist and songwriter) and Richard Drummie
publisher:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing (do not use as a release label!)
Go West6:45
13Love Missile F1-11 (Westbank remix short version)
producer:
Giorgio Moroder
remixer:
Klaus Jankuhn and WestBam (German DJ)
recording of:
Love Missile F1‐11
lyricist and composer:
Martin Degville, Tony James (UK bassist/guitarist) and Neal Whitmore
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Sigue Sigue Sputnik3:29
14Heart of Glass (12″ version)
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer and mixer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1978-06)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 47)
recording of:
Heart of Glass (from 1978-06 until 1978-07)
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
version of:
Once I Had a Love
Blondie4.75:50
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