Whatever: The ’90s Pop & Culture Box

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1U Can’t Touch This
Koproduzent(in):
James Earley und Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
Produzent(in):
MC Hammer
Mix:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) und MC Hammer
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Samples:
Super Freak von Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
Verfasser(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) und Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music und Stone Diamond Music Corporation
basiert auf:
Super Freak
MC Hammer4.14:15
2Nothing Compares 2 U
Techniker(in):
Chris Birkett
Produzent(in):
Nellee Hooper und Sinéad O’Connor (Irish singer‐songwriter)
Mix:
Chris Birkett, Fachtna Ó Ceallaigh und Sinéad O’Connor (Irish singer‐songwriter)
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1990) und Ensign Records Ltd. (company; do NOT use as release label) (in 1990)
Musikvideos:
Nothing Compares 2 U (music video) von Sinéad O’Connor (Irish singer‐songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 184) und Indie 88: Top 500 Indie Rock Songs (Nummer: 413)
cover recording of:
Nothing Compares 2 U
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing und Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:09
3No Myth
drum machine-Programmierung:
Michael Penn
Techniker(in):
Susan Rogers (US sound engineer)
Produzent(in):
Tony Berg (record producer, executive, and session guitarist)
Bass, Gitarre und Sologesang:
Michael Penn
E-Cello:
David Coleman (American cellist & composer)
Keyboard:
Patrick Warren
Perkussion:
Art Wood (US session drummer/percussionist)
aufgenommen bei:
Zeitgeist Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
No Myth
Texter und Komponist(in):
Michael Penn
publisher:
Careers Music, Inc. (in 1989) und Liafail Music (publisher) (in 1989)
Michael Penn3.54:10
4Ladies First
Produzent(in):
DJ Mark the 45 King (aka DJ Mark)
Gast vocals und zusätzliche(r) Interpret(in):
Monie Love (English rapper, actress & radio personality)
Interpret(in):
Monie Love (English rapper, actress & radio personality)
phonographisches Urheberrecht (℗) von:
Tommy Boy Music, Inc. (in 1989)
recording of:
Ladies First
Verfasser(in):
Anthony Peaks (US rapper Anthony Peaks), Mark Howard James (aka DJ Mark), Queen Latifah, Shane Harbin Faber und Simone Johnson (English rapper, actress & radio personality)
Queen Latifah feat. Monie Love23:57
5Ball and Chain
recording engineer, Produzent(in) und Mix:
Dave Jerden
Bassgitarre und Hintergrundgesang:
John Maurer (US punk rock bassist)
Gitarre:
Dennis Danell und Mike Ness
Schlagzeug:
Christopher Reece (US drummer for Social Distortion/The Lewd)
Sologesang:
Mike Ness
aufgenommen bei:
Track Record Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Ball and Chain
Texter und Komponist(in):
Mike Ness
Social Distortion4.25:45
6Birdhouse in Your Soul
recording engineer und Mix:
Roger Moutenot
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
E-Gitarre:
John Flansburgh
Geige / Violine:
Mark Feldman (American violinist)
Keyboard, Hintergrundgesang und Sologesang:
John Linnell
Trompete [sampled]:
Frank London
recording of:
Birdhouse in Your Soul
Verfasser(in):
John Flansburgh und John Linnell
publisher:
TMBG Music
They Might Be Giants4.553:19
7Chloe Dancer / Crown of Thorns
Produzent(in):
Mark Dearnley und Mother Love Bone
Mix:
Tim Palmer (British producer/mixer)
phonographisches Urheberrecht (℗) von:
Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.)
recording of:
Chloe Dancer / Crown of Thorns
Verfasser(in):
Jeff Ament, Bruce Fairweather, Greg Gilmore, Stone Gossard und Andrew Wood (alt. rock singer)
Medley von:
Chloe Dancer
Medley von:
Crown of Thorns
Mother Love Bone3.88:21
8Here’s Where the Story Ends
Bass:
Paul Brindley
Gitarre:
David Gavurin
Schlagzeug:
Patch Hannan
Sologesang:
Harriet Wheeler
Musikvideos:
Here’s Where the Story Ends von The Sundays
recording of:
Here’s Where the Story Ends
Verfasser(in):
David Gavurin und Harriet Wheeler
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Sundays4.253:55
9Gonna Make You Sweat (Everybody Dance Now)
assistierende(r) Produzent(in):
Ricky Crespo und Alan Friedman
Produzent(in):
Robert Clivillés (record producer, songwriter, arranger, music video director) und David Cole (US musician/producer, member of C+C Music Factory)
Keyboard:
Ricky Crespo und Dave Cole (US musician/producer, member of C+C Music Factory)
Perkussion und Schlagzeug:
Robert Clivillés (record producer, songwriter, arranger, music video director)
zusätzlich Schlagzeug:
Alan Friedman
vocals:
Martha Wash und Freedom Williams
Keyboard arranger:
Robert Clivillés (record producer, songwriter, arranger, music video director)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 116) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 402)
recording of:
Gonna Make You Sweat (Everybody Dance Now)
Verfasser(in):
Robert Clivillés (record producer, songwriter, arranger, music video director) und Frederick B. Williams (UK dance vocalist aka Freedom Williams)
publisher:
Cole/Clivillés Music, EMI Virgin Music Ltd. (do not use this as a release label!), R.B.G. Dome Music, WB Music Corp. (1929–2019), Cole/Clivillés Music Enterprises (vom 1990 bis ????) und Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (vom 1990 bis ????)
C+C Music Factory4.154:06
10Groove Is in the Heart
assistierende(r) Techniker(in):
Derek Lategan und Eddie Sancho
Techniker(in):
Mike Rogers (US producer/engineer, aka Tweekin')
zusätzliche(r) Techniker(in):
Bob Power
Produzent(in):
Deee‐Lite
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Mike Rogers (US producer/engineer, aka Tweekin')
Posaune:
Fred Wesley
Saxophon:
Maceo Parker (US funk/jazz saxophonist)
Hintergrundgesang:
Bootsy Collins (US funk musician & songwriter)
vocals:
Q‐Tip (American rapper)
arranger:
Deee‐Lite
zusätzlich arranger:
Mike Rogers (US producer/engineer, aka Tweekin')
Samples:
Bring Down the Birds von Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Get Up von Vernon Burch
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 68), TV Cream: Real 100 Best Singles Ever (Nummer: 83) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 233)
recording of:
Groove Is in the Heart
Verfasser(in):
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) und Kier Kirby
Komponist(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite4.23:54
11Right Here, Right Now
Techniker(in) und Produzent(in):
Martyn Phillips (producer, engineer, multi-instrumentalist)
Mix:
John Fryer (British producer and engineer)
Musikvideos:
Right Here, Right Now von Jesus Jones
recording of:
Right Here, Right Now
Texter und Komponist(in):
Mike Edwards (UK guitar/keyboards for Jesus Jones)
publisher:
EMI Blackwood Music Inc.
Jesus Jones4.43:10
12New Jack Hustler (Nino’s Theme)
Produzent(in):
DJ Aladdin und Ice‐T
phonographisches Urheberrecht (℗) von:
Sire Records Company (not for release label use!) (in 1991) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991)
recording of:
New Jack Hustler (Nino’s Theme) (von 1990-07 bis 1991-01)
Texter:
Ice‐T
Komponist(in):
DJ Aladdin und Ice‐T
Ice‐T4.54:44
13I Touch Myself
assistierende(r) Techniker(in):
Chris Albert (US engineer) und Vince Caro (engineer, music editor, producer)
Produzent(in):
Divinyls (Australian rock band), Howard Shore (Canadian score composer) und David Tickle
phonographisches Urheberrecht (℗) von:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990) und Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1990)
aufgenommen bei:
BMG Recording Studios in Theater District, New York, New York, Vereinigte Staaten
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 54) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 326)
recording of:
I Touch Myself
Texter und Komponist(in):
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) und William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:48
14Unbelievable
Produzent(in) und Mix:
Ralph Jezzard
E-Bass:
Zac Foley (in 1990)
E-Gitarre, Gitarre und Keyboard:
Ian Dench (in 1990)
Sampler [samples]:
Derry Brownson (in 1990)
Schlagzeug:
Mark Decloedt (in 1990)
Hintergrundgesang:
Claudia Fontaine (vocals, background vocals) (in 1990)
Sologesang:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 421)
recording of:
Unbelievable (in 1990)
Verfasser(in):
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench und Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Canada Ltd.
EMF3.653:30
15Hard to Handle
Techniker(in):
Brendan "Bud" O'Brien (engineer)
leitende(r) Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
Produzent(in):
George Drakoulias
assistierende(r) Mix:
Lee Manning (US engineer)
Bass:
Johnny Colt
Gitarre:
Jeff Cease und Rich Robinson
Schlagzeug:
Steve Gorman
vocals:
Chris Robinson (US rock and roll singer, in The Black Crowes)
phonographisches Urheberrecht (℗) von:
American Recordings (in 1990) und RRE, LLC (not a release label, for copyrights use only) (in 1990)
Musikvideos:
Hard to Handle (Music video) von The Black Crowes
cover recording of:
Hard to Handle
Verfasser(in):
Allen Jones (producer/songwriter/musician/engineer), Alvertis Isbell und Otis Redding
publisher:
Irving Music (BMI), Carlin Music Corporation (in 1968) und Irving Music, Inc. (in 1968)
recording of:
Hard to Handle
Verfasser(in):
Allen Jones (producer/songwriter/musician/engineer), Alvertis Isbell und Otis Redding
publisher:
Irving Music (BMI), Carlin Music Corporation (in 1968) und Irving Music, Inc. (in 1968)
The Black Crowes4.43:10
16O.P.P.
phonographisches Urheberrecht (℗) von:
Tommy Boy Music, Inc. (in 1991) und Tommy Boy Music, LLC (not for release label!) (in 2004)
Samples:
ABC von The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 96)
recording of:
O.P.P.
Komponist(in):
Anthony Criss, Berry Gordy, Keir Gist (Naughty by Nature’s DJ Keir Gist), Fonce Mizell, Freddie Perren, Deke Richards (American songwriter and record producer) und Vincent Brown
publisher:
Jobete Music Co., Inc. und Naughty Music (associated with Naughty By Nature)
Naughty by Nature3.854:32
17Walking in Memphis
recording engineer, Techniker(in) und Mix:
Ben Wisch
Produzent(in):
Marc Cohn und Ben Wisch
Bass und Orgel:
John Leventhal
Gitarre:
Marc Cohn und John Leventhal
Hammond-Orgel:
Chris Palmaro
Keyboard:
Eric Rehl
Schlagzeug:
Dennis McDermott
Gast Hintergrundgesang:
James Taylor (singer-songwriter and guitarist)
Hintergrundgesang:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) und Darryl Tookes
vocals:
Marc Cohn
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) und Warner Music H.K. Ltd. (in 1997)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 415)
recording of:
Walking in Memphis
Texter und Komponist(in):
Marc Cohn
publisher:
BMG Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:15
18It’s So Hard to Say Goodbye to Yesterday
Programmierung:
Rick Sheppard (engineer)
leitende(r) Produzent(in):
BIV und Vida Sparks
Produzent(in) und Mix:
Dallas Austin
enthält Samples von:
Rick Sheppard (engineer)
arranger:
Dallas Austin und Boyz II Men
cover recording of:
It’s So Hard to Say Goodbye to Yesterday
Verfasser(in):
Freddie Perren und Christine Yarian
publisher:
BIV Entertainment Corp., Diva One Productions und Jobete Music (appears also as: Jobete Msc.)
Boyz II Men3.652:48
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