| holds copyright (©) for video |
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| 1962 | 6 Hölderlin Fragments, op. 61: I. Menschenbeifall | | | Peter Pears, Benjamin Britten | 1:21 |
| 1962 | 6 Hölderlin Fragments, op. 61: II. Die Heimat | | | Peter Pears, Benjamin Britten | 1:56 |
| 1962 | 6 Hölderlin Fragments, op. 61: III. Sokrates und Alcibiades | | | Peter Pears, Benjamin Britten | 2:18 |
| 1962 | 6 Hölderlin Fragments, op. 61: IV. Die Jugend | | | Peter Pears, Benjamin Britten | 1:50 |
| 1962 | 6 Hölderlin Fragments, op. 61: V. Hälfte des Lebens | | | Peter Pears, Benjamin Britten | 2:02 |
| 1962 | 6 Hölderlin Fragments, op. 61: VI. Die Linien des Lebens | | | Peter Pears, Benjamin Britten | 2:25 |
| holds phonographic copyright (℗) for |
|---|
| 1942 | White Christmas | | | Vera Lynn | 3:24 |
| 1953 | Swedish Rhapsody | | | The Mantovani Orchestra | 2:50 |
| 1954 | Ebb Tide | | | Frank Chacksfield & His Orchestra | 2:46 |
| 1955 | Christmas Alphabet | | | Dickie Valentine with Johnny Douglas and His Orchestra | 2:07 |
| 1955 | Così fan tutte: Atto I. “Ah, guarda, sorella” | | | Wiener Philharmoniker, Karl Böhm | 5:06 |
| 1955 | Così fan tutte: Atto I. “Ah, scostati! … Smanie implacabili” | | | Wiener Philharmoniker, Karl Böhm | 4:36 |
| 1955 | Così fan tutte: Atto I. “Che silenzio! Che aspetto di tristezza” | | | Wiener Philharmoniker, Karl Böhm | 2:09 |
| 1955 | Così fan tutte: Atto I. “Che vita maledetta” | | | Wiener Philharmoniker, Karl Böhm | 1:00 |
| 1955 | Così fan tutte: Atto I. “Dammi un bacio, oh mio tesoro” (Ferrando, Guglielmo, Fiordiligi, Dorabella, Despina, Alfonso) | | | Wiener Philharmoniker, Karl Böhm | 3:07 |
| 1955 | Così fan tutte: Atto I. “Dove son? Che loco è questo” | | | Wiener Philharmoniker, Karl Böhm | 2:31 |
| 1955 | Così fan tutte: Atto I. “Eccovi il medico” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) | | | Wiener Philharmoniker, Karl Böhm | 3:17 |
| 1955 | Così fan tutte: Atto I. “Soave sia il vento” | | | Wiener Philharmoniker, Karl Böhm | 2:51 |
| 1955 | Così fan tutte: Atto I. “Un’ aura amorosa” | | | Wiener Philharmoniker, Karl Böhm | 4:54 |
| 1955 | Così fan tutte: Atto I. Appendix. No. 15 Aria “Non siate ritrosi” (Guglielmo) | | | Wiener Philharmoniker, Karl Böhm | 1:27 |
| 1955 | Così fan tutte: Atto I. Finale I “Si mora, sì, si mora” (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina) | | | Wiener Philharmoniker, Karl Böhm | 5:15 |
| 1955 | Così fan tutte: Atto I. No. 1 Terzetto “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso) | | | Wiener Philharmoniker, Karl Böhm | 3:05 |
| 1955 | Così fan tutte: Atto I. No. 2 Terzetto “E la fede delle femmine” (Ferrando, Guglielmo, Don Alfonso) | | | Wiener Philharmoniker, Karl Böhm | 2:32 |
| 1955 | Così fan tutte: Atto I. No. 3 Terzetto “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso) | | | Wiener Philharmoniker, Karl Böhm | 2:17 |
| 1955 | Così fan tutte: Atto I. No. 5 Aria “Vorrei dir, e cor non ho” (Don Alfonso) | | | Wiener Philharmoniker, Karl Böhm | 1:40 |
| 1955 | Così fan tutte: Atto I. No. 6 Quintetto “Sento, oh Dio, che questo piede” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) | | | Wiener Philharmoniker, Karl Böhm | 3:57 |
| 1955 | Così fan tutte: Atto I. No. 8 Coro “Bella vita militar!” (Coro, Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo) | | | Wiener Philharmoniker, Karl Böhm | 1:36 |
| 1955 | Così fan tutte: Atto I. No. 12 Aria “In uomini, in soldati sperare” (Despina) | | | Wiener Philharmoniker, Karl Böhm | 2:41 |
| 1955 | Così fan tutte: Atto I. No. 16 Terzetto “E voi ridete?” (Don Alfonso, Ferrando, Guglielmo) | | | Wiener Philharmoniker, Karl Böhm | 1:29 |
| 1955 | Così fan tutte: Atto I. No. 18 Finale I “Ah, che tutta in un momento” (Fiordiligi, Dorabella) | | | Wiener Philharmoniker, Karl Böhm | 3:16 |
| 1955 | Così fan tutte: Atto I. Quintetto con Coro “Di scrivermi ogni giorno” (Dorabella, Don Alfonso, Fiordiligi) | | | Wiener Philharmoniker, Karl Böhm | 3:39 |
| 1955 | Così fan tutte: Atto I. Recitativo “Temerari! Sortite fuori di questo loco!” (Fiordiligi) | | | Wiener Philharmoniker, Karl Böhm | 6:33 |
| 1955 | Così fan tutte: Atto I. Sestetto “Alla bella Despinetta” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) | | | Wiener Philharmoniker, Karl Böhm | 6:44 |
| 1955 | Così fan tutte: Atto II. “Donne mie, la fate a tanti” | | | Wiener Philharmoniker, Karl Böhm | 2:34 |
| 1955 | Così fan tutte: Atto II. “Ei parte … Per pietà, ben mio, perdona” | | | Wiener Philharmoniker, Karl Böhm | 7:51 |
| 1955 | Così fan tutte: Atto II. “Il core vi dono” | | | Wiener Philharmoniker, Karl Böhm | 4:15 |
| 1955 | Così fan tutte: Atto II. “Miei Signori, tutto e fatto” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina) | | | Wiener Philharmoniker, Karl Böhm | 3:39 |
| 1955 | Così fan tutte: Atto II. “Ora vedo che siete” | | | Wiener Philharmoniker, Karl Böhm | 2:18 |
| 1955 | Così fan tutte: Atto II. “Prenderò quel brunettino” | | | Wiener Philharmoniker, Karl Böhm | 2:55 |
| 1955 | Così fan tutte: Atto II. “Richiamati da regio contrordine” | | | Wiener Philharmoniker, Karl Böhm | 8:13 |
| 1955 | Così fan tutte: Atto II. “Trattar l’amore en bagatelle” | | | Wiener Philharmoniker, Karl Böhm | 1:35 |
| 1955 | Così fan tutte: Atto II. “Tutti accusan le donne” | | | Wiener Philharmoniker, Karl Böhm | 0:59 |
| 1955 | Così fan tutte: Atto II. Coro “Benedetti i doppi conjugi” (Coro, Fiordiligi, Dorabella, Ferrando, Guglielmo) | | | Wiener Philharmoniker, Karl Böhm | 4:07 |
| 1955 | Così fan tutte: Atto II. Duetto con coro “Secondate, aurette amiche” (Ferrando, Guglielmo) | | | Wiener Philharmoniker, Karl Böhm | 4:11 |
| 1955 | Così fan tutte: Atto II. Finale “Fate presto, oh cari amici” (Despina, Coro, Don Alfonso) | | | Wiener Philharmoniker, Karl Böhm | 1:44 |
| 1955 | Così fan tutte: Atto II. No. 19 Aria “Una donna a quindici anni” (Despina) | | | Wiener Philharmoniker, Karl Böhm | 4:39 |
| 1955 | Così fan tutte: Atto II. No. 22 Quartetto “La mano a me date” (Don Alfonso, Ferrando, Guglielmo, Despina) | | | Wiener Philharmoniker, Karl Böhm | 5:30 |
| 1955 | Così fan tutte: Atto II. No. 29 Duetto “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando) | | | Wiener Philharmoniker, Karl Böhm | 7:14 |
| 1955 | Così fan tutte: Atto II. Recitativo “Amico, abbiamo vinto!” (Ferrando, Guglielmo) | | | Wiener Philharmoniker, Karl Böhm | 2:55 |
| 1955 | Così fan tutte: Atto II. Recitativo “Barbara, perché fuggi?” (Ferrando, Fiordiligi) | | | Wiener Philharmoniker, Karl Böhm | 1:25 |
| 1955 | Così fan tutte: Ouverture | | | Wiener Philharmoniker, Karl Böhm | 4:30 |
| 1955 | Jump for Jeff | The Decca Record Co. | | Tony Crombie | 7:15 |
| 1955 | Très gai | The Decca Record Co. | | Tony Crombie | 8:21 |
| 1955 | Turandot: Atto I. "Fermo! Che fai? T'arresta" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 6:25 |
| 1955 | Turandot: Atto I. "Figlio, che fai?" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 1:46 |
| 1955 | Turandot: Atto I. "Gira la cote!" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 7:23 |
| 1955 | Turandot: Atto I. "Non piangere, Liù" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 5:17 |
| 1955 | Turandot: Atto I. "O giovinetto! Grazia, grazia!" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 5:14 |
| 1955 | Turandot: Atto I. "Popolo di Pekino!" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 5:50 |
| 1955 | Turandot: Atto I. "Signore, ascolta!" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 2:36 |
| 1955 | Turandot: Atto II, Scena 2. "Gloria, gloria, o vincitore!" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 4:13 |
| 1955 | Turandot: Atto II, Scena 2. "Straniero, ascolta" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 7:27 |
| 1955 | Turandot: Atto II, Scena 2. "Tre enigmi m'hai proposto" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 3:59 |
| 1955 | Turandot: Atto II, Scena I. “Ho una casa nell’ Honan” | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 3:07 |
| 1955 | Turandot: Atto II, Scena II. “In questa reggia” | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 6:16 |
| 1955 | Turandot: Atto II. "Gravi enormi ed imponenti" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 3:01 |
| 1955 | Turandot: Atto II. "O mondo..." | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 4:41 |
| 1955 | Turandot: Atto II. "Olà, Pang! Olà, Pong!" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 3:24 |
| 1955 | Turandot: Atto II. "Popolo di Pekino!" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 1:50 |
| 1955 | Turandot: Atto II. "Un giuramento atroce mi costringe" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 4:25 |
| 1955 | Turandot: Atto II. Introduzione | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 1:23 |
| 1955 | Turandot: Atto III, Scena 1. "Che è mai di me?" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 2:44 |
| 1955 | Turandot: Atto III, Scena 1. "Del primo pianto" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 3:30 |
| 1955 | Turandot: Atto III, Scena 1. "Liù! Liù! Sorgi!" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 4:49 |
| 1955 | Turandot: Atto III, Scena 1. "Nessun dorma!" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 6:47 |
| 1955 | Turandot: Atto III, Scena 1. "Principessa di morte" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 3:04 |
| 1955 | Turandot: Atto III, Scena 1. "Principessa Divina!" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 7:13 |
| 1955 | Turandot: Atto III, Scena 1. "So il tuo nome!" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 1:25 |
| 1955 | Turandot: Atto III, Scena 1. "Tu che di gel sei cinta" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 2:55 |
| 1955 | Turandot: Atto III, Scena 1. Introduzione - Così comanda Turandot | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 3:43 |
| 1955 | Turandot: Atto III, Scena 2. "Diecimila anni al nostro Imperatore!" | | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 3:19 |
| 1956 | Dawn & Siegfried’s Rhine Journey | | | Wiener Philharmoniker, Hans Knappertsbusch | 12:40 |
| 1956 | Symphony №5 in B‐flat major: 1. Adagio – Allegro | | | Wiener Philharmoniker, Hans Knappertsbusch | 18:50 |
| 1956 | Symphony №5 in B‐flat major: 2. Adagio | | | Wiener Philharmoniker, Hans Knappertsbusch | 13:23 |
| 1956 | Symphony №5 in B‐flat major: 3. Scherzo. Molto vivace | | | Wiener Philharmoniker, Hans Knappertsbusch | 9:36 |
| 1956 | Symphony №5 in B‐flat major: 4. Finale. Adagio – Allegro molto | | | Wiener Philharmoniker, Hans Knappertsbusch | 18:50 |
| 1958 | By-Pass | The Decca Record Co. | | Don Rendell Jazz Six | 4:09 |
| 1958 | Die lustige Witwe: Akt I. Nr. 2.b „Ich bin eine anstän’dge Frau“ | Decca | | Waldemar Kmentt, Emmy Loose, Orchester der Wiener Staatsoper, Robert Stolz | 3:10 |
| 1958 | Die lustige Witwe: Akt I. Nr. 3. Entreelied „Bitte, meine Herr’n! welche Galantrie’n“ | Decca | | Chor der Wiener Staatsoper, Kurt Equiluz, Hilde Güden, Peter Klein, Orchester der Wiener Staatsoper, Robert Stolz | 2:57 |
| 1958 | Die lustige Witwe: Akt I. Nr. 6 Finale I „Damenwahl! Hört man rufen rings im Saal!“ | Decca | | Chor der Wiener Staatsoper, Kurt Equiluz, Per Grundén, Hilde Güden, Peter Klein, Orchester der Wiener Staatsoper, Robert Stolz | 3:02 |
| 1958 | Die lustige Witwe: Akt II. „Wie eine Rosenknospe“ | Decca | | Waldemar Kmentt, Emmy Loose, Orchester der Wiener Staatsoper, Robert Stolz | 4:32 |
| 1958 | Die lustige Witwe: Akt II. Heia, Mädel... Dummer, dummer Reitersmann (Hanna, Danilo) | Decca | | Per Grundén, Hilde Güden, Orchester der Wiener Staatsoper, Robert Stolz | 3:12 |
| 1958 | Die lustige Witwe: Akt III. Ja, das Studium der Weiber ist schwer (Hanna & cast) | Decca | | Chor der Wiener Staatsoper, Karl Dönch, Per Grundén, Hilde Güden, Waldemar Kmentt, Emmy Loose, Orchester der Wiener Staatsoper, Robert Stolz | 1:22 |
| 1958 | Die lustige Witwe: Akt III. Ja, wir sind es, die Grisetten (Valencienne & cast) | Decca | | Chor der Wiener Staatsoper, Waldemar Kmentt, Emmy Loose, Orchester der Wiener Staatsoper, Robert Stolz | 2:47 |
| 1958 | Die lustige Witwe: Akt III. Lippen schweigen (Hanna, Danilo) | Decca | | Per Grundén, Hilde Güden, Orchester der Wiener Staatsoper, Robert Stolz | 2:20 |
| 1958 | Die lustige Witwe: O Vaterland – Da geh’ ich zu Maxim | Decca | | Per Grundén, Orchester der Wiener Staatsoper, Orchester der Wiener Volksoper, Robert Stolz | 2:18 |
| 1958 | Die lustige Witwe: Vilja‐Lied | Decca | | Chor der Wiener Staatsoper, Hilde Güden, Orchester der Wiener Staatsoper, Orchester der Wiener Volksoper, Robert Stolz | 5:19 |
| 1958 | Dolly Mixture | The Decca Record Co. | | Don Rendell Jazz Six | 4:27 |
| 1958 | Don Giovanni, Act I: Introduction (opening scene): Andante, "Ah, soccorso!", the Commandant's agonized last gasps | The Decca Record Company Limited, London | | Kurt Böhme, Fernando Corena, Suzanne Danco, Cesare Siepi, Vienna Philharmonic, Josef Krips | 1:09 |
| 1958 | Don Giovanni, Act I: Introduction (opening scene): Orchestral introduction | The Decca Record Company Limited, London | | Kurt Böhme, Fernando Corena, Suzanne Danco, Cesare Siepi, Vienna Philharmonic, Josef Krips | 3:05 |
| 1958 | Don Giovanni, Act I: Introduction (opening scene): Recitative, accompanied by harpsichord, "Leporello, ove sei?" | The Decca Record Company Limited, London | | Kurt Böhme, Fernando Corena, Suzanne Danco, Cesare Siepi, Vienna Philharmonic, Josef Krips | 0:26 |
| 1958 | Don Giovanni, Act I: Introduction (opening scene): String tremolo, the Commandant appears | The Decca Record Company Limited, London | | Kurt Böhme, Fernando Corena, Suzanne Danco, Cesare Siepi, Vienna Philharmonic, Josef Krips | 1:04 |
| 1958 | Funeral March | | | Wilhelm Kempff | 7:12 |
| 1958 | God Bless the Prince of Wales | | | The Morriston Orpheus Choir & Ivor E. Sims | 3:31 |
| 1958 | God Rest Ye Merry Gentlemen | | | Mantovani & His Orchestra | 2:59 |
| 1958 | Hen Wlad fy Nhadau | | | Morriston Orpheus Choir | 1:57 |
| See all 4,102 relationships |
| contracted manufacturing for |
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| Dance Album of… Carl Perkins | | | Carl Perkins | |
| holds copyright (©) for |
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| 1959 | Adeste fideles | Decca Record Co. Ltd. | | John McCormack | |
| 1960 | Tosca | | | Puccini; Renata Tebaldi, Mario del Monaco, George London, Molinari‐Pradelli | |
| 1961 | Marching With the Grenadier Guards | | | Band of the Grenadier Guards conducted by Lt. Col., F. J. Harris, M.B.E., A.R.C.M., p.s.m. | |
| 1963 | Die Fledermaus | | | Strauss; Vienna Philharmonic Orchestra, Herbert von Karajan | |
| 1963 | The Twin Pianos of Fred Hartley | | | Fred Hartley | |
| 1964 | Symphonies nos. 1 and 8 | The Decca Record Company Limited | | Beethoven; Ernest Ansermet, L’Orchestre de la Suisse Romande | |
| 1967 | Days of Future Passed | | | The Moody Blues with the London Festival Orchestra conducted by Peter Knight | |
| 1967 | How to Give Yourself a Stereo Check-Out | The Decca Record Company Limited | | Jack de Manio and Elizabeth Knight | |
| 1968 | David Bowie | | | David Bowie | |
| 1969 | The World of Hits Vol. 2 | | | Various Artists | |
| 1969 | The World of Wales in Song | The Decca Record Company Limited | | Various Artists | |
| 1970 | Chacksfield Plays the Beatles’ Song Book | The Decca Record Company Limited | | Frank Chacksfield and His Orchestra | |
| 1970 | David Bowie | | | David Bowie | |
| 1971 | Every Good Boy Deserves Favour | The Decca Record Company Limited, London | | The Moody Blues | |
| 1971 | The Phase 4 World of Thrillers | The Decca Record Company Limited | | Various Artists | |
| 1972 | Prometheus: Poem of Fire / Piano Concerto in F sharp minor | | | Scriabin; Vladimir Ashkenazy, London Philharmonic Orchestra, Lorin Maazel | |
| 1974 | Popular Russian Songs | | | Ghiaurov, Kaval Chorus & Orchestra conducted By Atanas Margaritov | |
| 1975 | Focus on Mantovani | The Decca Record Company Limited | | Mantovani | |
| 1976 | Carmina Burana | | | Orff; Norma Burrowes, Louis Devos, John Shirley‐Quirk, The Royal Philharmonic Orchestra, Antal Doráti | |
| 1976 | Das Rheingold | | | Richard Wagner; London, Flagstad, Svanholm, Neidlinger, Vienna Philharmonic Orchestra, Solti | |
| 1976 | Lachrimae 1604 | | | Dowland - The Consort Of Musicke | |
| 1977 | Violin Concerto | | | Elgar; Kyung Wha Chung, London Philharmonic Orchestra, Sir Georg Solti | |
| 1978 | The World of Vivaldi | | | Various Artists | |
| 1980 | Bravo Pavarotti | | | Luciano Pavarotti | |
| 1980 | The Entertainer | | | Klaus Wunderlich | |
| 1981 | Symphony no. 14 | | | Shostakovich; Concertgebouw Orchestra, Bernard Haitink, Júlia Várady, Dietrich Fischer‐Dieskau | |
| 1982 | Concierto de Aranjuez / Fantasia para un Gentilhombre | | | Rodrigo; Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit | |
| 1982 | Le nozze di Figaro | | | Mozart; Dietrich Fischer‐Dieskau, Maria Stader, Irmgard Seefried, Renato Capecchi, Hertha Töpper, Ivan Sardi, Radio‐Symphonie‐Orchester Berlin, Ferenc Fricsay | |
| 1983 | Cello Concertos | | | Schumann, Saint‐Saëns; Lynn Harrell, The Cleveland Orchestra, Neville Marriner | |
| 1983 | Cello Concertos | | | Schumann, Saint‐Saëns; Lynn Harrell, The Cleveland Orchestra, Neville Marriner | |
| 1983 | David Bowie | | | David Bowie | |
| 1983 | David Bowie | | | David Bowie | |
| 1983 | Le nozze di Figaro | | | Mozart; Kiri Te Kanawa, Lucia Popp, Frederica von Stade, Samuel Ramey, Thomas Allen, Kurt Moll, London Philharmonic Orchestra, Sir Georg Solti | |
| 1983 | Pachelbel: Canon / Handel / Vivaldi / Gluck | The Decca Record Company Limited, London | | Pachelbel, Handel, Vivaldi, Gluck; The Academy of Ancient Music, Christopher Hogwood | |
| 1983 | Pines of Rome / Fountains of Rome / Roman Festival | | | Ottorino Respighi; Orchestre symphonique de Montréal, Charles Dutoit | |
| 1983 | Symphony no. 5 | | | Shostakovich; Concertgebouw Orchestra, Bernard Haitink | |
| 1983 | Violin Concertos | | | Tchaikovsky, Mendelssohn; Orchestre symphonique de Montréal, Charles Dutoit, Kyung Wha Chung | |
| 1984 | 3 Gymnopédies & Other Piano Works | | | Erik Satie; Pascal Rogé | |
| 1984 | Eine kleine Nachtmusik / Serenata notturna / Notturno, K. 286 | | | Wolfgang Amadeus Mozart; The Academy of Ancient Music, Christopher Hogwood | |
| 1984 | Goyescas: Volumes 1 & 2 / El pelele | | | Granados; Alicia de Larrocha | |
| 1984 | La Mer / Nocturnes / Prélude à lʼaprès-midi dʼun faune | | | Claude Debussy; Ernest Ansermet, L’Orchestre de la Suisse Romande | |
| 1984 | Ma Mère l’Oye / Pavane pour une infante défunte / Le Tombeau de Couperin / Valses nobles et sentimentales | | | Ravel; Orchestre symphonique de Montréal, Charles Dutoit | |
| 1984 | Mamma | | | Luciano Pavarotti | |
| 1984 | Offenbach: Gaîté parisienne / Gounod: Faust Ballet | | | Offenbach, Gounod; Orchestre symphonique de Montréal, Charles Dutoit | |
| 1984 | Piano Concerto no. 2 | | | Brahms; Vladimir Ashkenazy, Vienna Philharmonic, Bernard Haitink | |
| 1984 | Piano Concerto no. 2 | | | Brahms; Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink | |
| 1984 | Symphony in C / Symphony in Three Movements | | | Stravinsky; Orchestre de la Suisse Romande, Charles Dutoit | |
| 1984 | Symphony No. 1 | | | Mahler; Chicago Symphony Orchestra, Sir Georg Solti | |
| 1984 | Symphony no. 4 in G major | The Decca Record Company Limited | | Gustav Mahler; Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti | |
| 1984 | The Rake’s Progress | | | Stravinsky; Philip Langridge, Cathryn Pope, Samuel Ramey, Stafford Dean, Sarah Walker, John Dobson, London Sinfonietta, London Sinfonietta Chorus, Riccardo Chailly | |
| 1984 | Turandot | | | Puccini; Sutherland, Pavarotti, Caballé, Ghiaurov, Krause, Pears, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | |
| 1984 – | Sinfonia Concertante / Violin Concerto No. 2 | | | Wolfgang Amadeus Mozart; Academy of St Martin in the Fields, Iona Brown, Josef Suk | |
| 1984 – | Slavonic Dances / American Suite | The Decca Record Company Limited | | Dvořák; Royal Philharmonic Orchestra, Antal Dorati | |
| 1985 | 6 Partitas, BWV 825 - BWV 830 | | | J.S. Bach; András Schiff | |
| 1985 | Francesca da Rimini / Romeo & Juliet | | | Tchaikovsky; Cleveland Orchestra, Riccardo Chailly | |
| 1985 | Lucia di Lammermoor | | | Donizetti; Sutherland, Pavarotti, Milnes, Ghiaurov, Chorus and Orchestra of the Royal Opera House Covent Garden, Bonynge | |
| 1985 | Messiah | The Decca Record Company Limited, London | | Handel; Kiri Te Kanawa, Anne Gjevang, Keith Lewis, Gwynne Howell, Chicago Symphony Orchestra and Chorus, Sir Georg Solti | |
| 1985 | Piano Concertos: no. 17, K. 453 / no. 18, K. 456 | | | Mozart; András Schiff, Camerata Academica des Mozarteums Salzburg, Sándor Végh | |
| 1985 | Rigoletto | | | Verdi; Sutherland, Pavarotti, Milnes, Tourangeau, Talvela, London Symphony Orchestra, Bonynge | |
| 1985 | Serenade in D, K. 185 / March, K. 189 | | | Wolfgang Amadeus Mozart; Academy of Ancient Music, Jaap Schröder, Christopher Hogwood | |
| 1985 | Sonata in B minor | | | Franz Liszt; Jorge Bolet | |
| 1985 | Symphonie fantastique | | | Hector Berlioz; Orchestre symphonique de Montréal, Charles Dutoit | |
| 1985 | Symphonies 40 & 41 | | | Mozart; The Chamber Orchestra of Europe, Sir Georg Solti | |
| 1985 | Symphony no. 8 | | | Shostakovich; Concertgebouw Orchestra, Bernard Haitink | |
| 1985 | Symphony no. 25 / Symphony no. 29 | | | Mozart; The Academy of Ancient Music, Jaap Schröder, Christopher Hogwood | |
| 1985 | Symphony no. 94 “Surprise” / Symphony no. 96 “Miracle” | The Decca Record Company Limited | | Haydn; The Academy of Ancient Music, Christopher Hogwood | |
| 1985 | Two‐Part Inventions, BWV 722a–786 / Three‐Part Inventions, BWV 787–801 | | | Johann Sebastian Bach; András Schiff | |
| 1985 | Two‐Part Inventions, BWV 722a–786 / Three‐Part Inventions, BWV 787–801 | | | Johann Sebastian Bach; András Schiff | |
| 1985 | Virtuoso Recorder Music | | | Amsterdam Loeki Stardust Quartet | |
| 1985 | Water | | | Various Artists | |
| 1985 – | Porgy and Bess | | | Gershwin; Cleveland Orchestra & Chorus, Lorin Maazel, Willard White, Leona Mitchell, McHenry Boatwright, Florence Quivar, Francois Clemmons, Barbara Hendricks | |
| 1985 – | Symphony No. 2 / Tragic Overture | | | Brahms; Chicago Symphony Orchestra, Sir Georg Solti | |
| 1985 – | Utrecht Te Deum / Jubilate | | | Handel; Choir of Christ Church Cathedral, Oxford, The Academy of Ancient Music | |
| 1986 | 6 Symphonies, Wq. 182 | | | Carl Philipp Emanuel Bach; The Academy Of Ancient Music, Christopher Hogwood | |
| 1986 | A Faust Symphony | | | Liszt; Siegfried Jerusalem, Chicago Symphony Orchestra & Chorus, Sir Georg Solti | |
| 1986 | Der Freischütz | The Decca Record Company Limited | | Weber; Hildegard Behrens, René Kollo, Peter Meven, Bavarian Radio Chorus and Symphony Orchestra, Rafael Kubelik | |
| 1986 | Guglielmo Tell | | | Rossini; Milnes, Pavarotti, Freni, Ghiaurov, National Philharmonic Orchestra, Chailly | |
| 1986 | Holy, Holy, Holy | The Decca Record Company Limited | | King’s College Choir, Stephen Cleobury | |
| 1986 | Il Cimento Dell' Armonia E Dell' Inventione (12 Concertos, Op. 8) | | | Vivaldi, The Academy Of Ancient Music, Christopher Hogwood | |
| 1986 | Lalo, Saint‐Saëns: Cello Concertos / Fauré: Élégie | | | Lalo, Saint‐Saëns, Fauré; Lynn Harrell, Radio-Symphonie-Orchester Berlin, Riccardo Chailly | |
| 1986 | Les Contes d’Hoffmann | | | Offenbach; Joan Sutherland, Plácido Domingo, Gabriel Bacquier, L’Orchestre de la Suisse Romande, Richard Bonynge | |
| 1986 | Mantovani Favourites | | | Mantovani and His Orchestra | |
| 1986 | Messiah: Arias & Choruses | | | Handel; Chicago Symphony Orchestra, Chicago Symphony Chorus, Sir Georg Solti, Kiri Te Kanawa | |
| 1986 | Music for the Royal Fireworks / Water Music | | | Handel; Academy of St Martin in the Fields, Sir Neville Marriner | |
| 1986 | Music for the Royal Fireworks / Water Music | | | Handel; Academy of St Martin in the Fields, Sir Neville Marriner | |
| 1986 | Octave | | | The Moody Blues | |
| 1986 | Pavarotti Anniversary | | | Luciano Pavarotti | |
| 1986 | Six Favorite Overtures | | | Johann Christian Bach; Academy of Ancient Music, Christopher Hogwood | |
| 1986 | Symphony No. 3 "Eroica" | | | Beethoven; Academy of Ancient Music, Christopher Hogwood | |
| 1986 | Symphony No. 40 / Symphony No. 41 "Jupiter" | | | Mozart; The Academy of Ancient Music, Christopher Hogwood, Jaap Schröder | |
| 1986 | The Young Person's Guide to the Orchestra / Variations on a Theme of Frank Bridge / Simple Symphony | Decca Music Group Limited | | Britten; London Symphony Orchestra, English Chamber Orchestra | |
| 1987 | Barber: Adagio for Strings / Ives: Symphony no. 3 / Copland: Quiet City | | | Barber, Ives, Copland; Academy of St Martin in the Fields, Neville Marriner | |
| 1987 | Blue Jays | | | Justin Hayward & John Lodge | |
| 1987 | Carmina Burana | The Decca Record Company, London | | New London Consort, Philip Pickett | |
| 1987 | Carnaval / Fantasie in C major | | | Schumann; Jorge Bolet | |
| 1987 | Coffee Cantata, BWV 211 / Peasant Cantata, BWV 212 | The Decca Record Company Limited | | Johann Sebastian Bach; Emma Kirkby, David Thomas, The Academy of Ancient Music, Christopher Hogwood | |
| 1987 | Eine Alpensinfonie | | | Richard Strauss, Symphonieorchester Des Bayerischen Rundfunks, Sir Georg Solti | |
| 1987 | La mer / Nocturnes / Prèlude a l’apres-midi d’un faune | | | Debussy; Cleveland Orchestra, Vladimir Ashkenazy | |
| 1987 | Madama Butterfly | | | Puccini; Freni, Pavarotti, Ludwig, Kerns, Wiener Philharmoniker, Herbert von Karajan | |
| 1987 | Madama Butterfly (Highlights) | | | Puccini; Tebaldi, Bergonzi, Cossotto, Sordello, Orchestra e Coro dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | |
| See all 307 relationships |
| holds phonographic copyright (℗) for |
|---|
| 1960 | La bohème: Scenes and Arias | | | Puccini; Tebaldi, Bergonzi, Bastianini, d'Angelo, Siepi, Serafin | |
| 1964 – 1967 | She’s Not There | | | The Zombies | |
| 1966 – 1967 | Sha-La-La-La-Lee | | | Small Faces | |
| 1967 | David Bowie | | | David Bowie | |
| 1967 | David Bowie | | | David Bowie | |
| 1967 – 1969 | New Masters | | | Cat Stevens | |
| 1968 | Lakmé: Highlights | The Decca Record Company Limited, London | | Delibes; Sutherland, Vanzo, Bacquier, Bonynge | |
| 1968 | Memories | The Decca Record Co. Ltd. | | The Mantovani Orchestra | |
| 1968 | Nights in White Satin | | | The Moody Blues | |
| 1969 | The Young Person's Guide to the Orchestra / Variations on a Theme of Frank Bridge / Simple Symphony | Decca Music Group Limited | | Britten; London Symphony Orchestra, English Chamber Orchestra | |
| 1970 | Le Roi David | | | Honegger; Danco, Hamel, Montmollin, L’Orchestre de la Suisse Romande, Ernest Ansermet | |
| 1970 | Nights in White Satin | | | The Moody Blues | |
| 1970 | Symphonies 1 & 2 / Julius Caesar | | | Schumann; Sir Georg Solti, Wiener Philharmoniker | |
| 1970 – | Anna Bolena | | | Gaetano Donizetti; Elena Souliotis, Marilyn Horne, John Alexander, Nicolaï Ghiaurov, Wiener Staatsopernchor, Wiener Opernorchester, Silvio Varviso | |
| 1971 | Symphony No.7 | | | Mahler; Chicago Symphony Orchestra, Sir Georg Solti | |
| 1972 | Lucia di Lammermoor | | | Donizetti; Sutherland, Pavarotti, Milnes, Ghiaurov, Chorus and Orchestra of the Royal Opera House Covent Garden, Bonynge | |
| 1972 | Music for the Royal Fireworks / Water Music | | | Handel; Academy of St Martin in the Fields, Sir Neville Marriner | |
| 1972 | Piano Concertos 1-4 | | | Rachmaninov; Vladimir Ashkenazy, London Symphony Orchestra, André Previn | |
| 1972 – 1975 | Fabulous Flamenco | | | Paco Peña | |
| 1973 | Pavarotti Anniversary | | | Luciano Pavarotti | |
| 1973 | Turandot | | | Puccini; Sutherland, Pavarotti, Caballé, Ghiaurov, Krause, Pears, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | |
| 1974 | Great Handel Choruses | The Decca Record Co. Ltd. | | George Frideric Handel | |
| 1974 | Popular Russian Songs | | | Ghiaurov, Kaval Chorus & Orchestra conducted By Atanas Margaritov | |
| 1975 | Concertos | | | J. S. Bach; Academy of St Martin-in-the-Fields, Neville Marriner | |
| 1975 | Focus on Mantovani | The Decca Record Company Limited | | Mantovani | |
| 1976 | Concertos | | | J. S. Bach; Academy of St Martin-in-the-Fields, Neville Marriner | |
| 1976 | Lachrimae 1604 | | | Dowland - The Consort Of Musicke | |
| 1976 – | Porgy and Bess | | | Gershwin; Cleveland Orchestra & Chorus, Lorin Maazel, Willard White, Leona Mitchell, McHenry Boatwright, Florence Quivar, Francois Clemmons, Barbara Hendricks | |
| 1977 | Cat’s Cradle | | | Cat Stevens | |
| 1978 | Octave | | | The Moody Blues | |
| 1978 – 1985 | Pavarotti Anniversary | | | Luciano Pavarotti | |
| 1979 | Favourite Wedding Music | | | Various Artists | |
| 1979 | Woolly Rhino: Sad to Be Alone | The Decca Record Company Ltd. (Argo Division) | | Norman Shelley | |
| 1980 | Der Freischütz | The Decca Record Company Limited | | Weber; Hildegard Behrens, René Kollo, Peter Meven, Bavarian Radio Chorus and Symphony Orchestra, Rafael Kubelik | |
| 1980 | Symphony no. 25 / Symphony no. 29 | | | Mozart; The Academy of Ancient Music, Jaap Schröder, Christopher Hogwood | |
| 1980 – | Utrecht Te Deum / Jubilate | | | Handel; Choir of Christ Church Cathedral, Oxford, The Academy of Ancient Music | |
| 1981 | Pachelbel: Canon / Handel / Vivaldi / Gluck | The Decca Record Company Limited, London | | Pachelbel, Handel, Vivaldi, Gluck; The Academy of Ancient Music, Christopher Hogwood | |
| 1981 – | Symphony No. 2 / Tragic Overture | | | Brahms; Chicago Symphony Orchestra, Sir Georg Solti | |
| 1982 | Cello Concertos | | | Schumann, Saint‐Saëns; Lynn Harrell, The Cleveland Orchestra, Neville Marriner | |
| 1982 | Cello Concertos | | | Schumann, Saint‐Saëns; Lynn Harrell, The Cleveland Orchestra, Neville Marriner | |
| 1982 | David Bowie | | | David Bowie | |
| 1982 | Le nozze di Figaro | | | Mozart; Kiri Te Kanawa, Lucia Popp, Frederica von Stade, Samuel Ramey, Thomas Allen, Kurt Moll, London Philharmonic Orchestra, Sir Georg Solti | |
| 1982 | Symphony in C / Symphony in Three Movements | | | Stravinsky; Orchestre de la Suisse Romande, Charles Dutoit | |
| 1983 | Batcave: Young Limbs and Numb Hymns | The Decca Record Co. Ltd. | | Various Artists | |
| 1983 | Cello Concertos | | | Schumann, Saint‐Saëns; Lynn Harrell, The Cleveland Orchestra, Neville Marriner | |
| 1983 | Cello Concertos | | | Schumann, Saint‐Saëns; Lynn Harrell, The Cleveland Orchestra, Neville Marriner | |
| 1983 | Il Cimento Dell' Armonia E Dell' Inventione (12 Concertos, Op. 8) | | | Vivaldi, The Academy Of Ancient Music, Christopher Hogwood | |
| 1983 | Le nozze di Figaro | The Decca Record Co. Ltd. London | | Mozart; Kiri Te Kanawa, Lucia Popp, Frederica von Stade, Samuel Ramey, Thomas Allen, Kurt Moll, London Philharmonic Orchestra, Sir Georg Solti | |
| 1983 | Symphony no. 6 / Symphony no. 12 | | | Shostakovich; Concertgebouw Orchestra, Bernard Haitink | |
| 1984 | Piano Concertos nos. 4, 5 "Emperor" | | | Beethoven; Wiener Philharmoniker, Zubin Mehta, Vladimir Ashkenazy | |
| 1984 | Sonata in B minor | | | Franz Liszt; Jorge Bolet | |
| 1984 | The Rake’s Progress | | | Stravinsky; Philip Langridge, Cathryn Pope, Samuel Ramey, Stafford Dean, Sarah Walker, John Dobson, London Sinfonietta, London Sinfonietta Chorus, Riccardo Chailly | |
| 1985 | Messiah | The Decca Record Company Limited, London | | Handel; Kiri Te Kanawa, Anne Gjevang, Keith Lewis, Gwynne Howell, Chicago Symphony Orchestra and Chorus, Sir Georg Solti | |
| 1985 | Messiah: Arias & Choruses | | | Handel; Chicago Symphony Orchestra, Chicago Symphony Chorus, Sir Georg Solti, Kiri Te Kanawa | |
| 1985 | Symphonies 40 & 41 | | | Mozart; The Chamber Orchestra of Europe, Sir Georg Solti | |
| 1985 | Symphony no. 6 / Symphony no. 12 | | | Shostakovich; Concertgebouw Orchestra, Bernard Haitink | |
| 1985 | Virtuoso Recorder Music | | | Amsterdam Loeki Stardust Quartet | |
| 1985 | Water | | | Various Artists | |
| 1986 | Lalo, Saint‐Saëns: Cello Concertos / Fauré: Élégie | | | Lalo, Saint‐Saëns, Fauré; Lynn Harrell, Radio-Symphonie-Orchester Berlin, Riccardo Chailly | |
| 1986 | Symphony No. 3 "Eroica" | | | Beethoven; Academy of Ancient Music, Christopher Hogwood | |
| 1987 | Coffee Cantata, BWV 211 / Peasant Cantata, BWV 212 | The Decca Record Company Limited | | Johann Sebastian Bach; Emma Kirkby, David Thomas, The Academy of Ancient Music, Christopher Hogwood | |
| 1987 | La mer / Nocturnes / Prèlude a l’apres-midi d’un faune | | | Debussy; Cleveland Orchestra, Vladimir Ashkenazy | |
| 1987 | The Planets | | | Holst; Orchestre symphonique de Montréal, Charles Dutoit | |
| 1988 | Classics I – Cinema Gala | The Decca Record Company Limited | | Various Artists | |
| 1988 | Manon Lescaut | | | Puccini; Kiri Te Kanawa, José Carreras, Orchestra e Coro del Teatro Comunale di Bologna, Riccardo Chailly | |
| 1988 | Souvenirs | The Decca Record Co. Ltd. | | Django Reinhardt & Stéphane Grappelly with The Quintet of the Hot Club of France | |
| 1988 | Suvenires | The Decca Record Co. Ltd. | | Django Reinhardt & Stéphane Grappelly | |
| 1988 – | Serenades for Strings and Winds | | | Antonín Dvořák; London Philharmonic Orchestra, Christopher Hogwood | |
| 1989 | Aida: Highlights | | | Verdi; Chiara, Pavarotti, Dimitrova, Nucci, Burchuladze, Orchestra e Coro del Teatro alla Scala, Lorin Maazel | |
| 1989 | Cantata BWV 202 “Weichet nur, bertrübte Schatten” / Cantata BWV 209 “Non sa che sia dolore” | | | Johann Sebastian Bach; Julianne Baird, The Bach Ensemble, Joshua Rifkin | |
| 1989 | Symphony no. 6 | | | Beethoven; Chicago Symphony Orchestra, Sir Georg Solti | |
| 1989 | The Hoffnung Festival of Music | | | Gerard Hoffnung | |
| 1990 | The Essential Pavarotti | | | Luciano Pavarotti | |
| 1990 – | In Concert | | | Carreras, Domingo, Pavarotti, Mehta | |
| 1990 – | In Concert | | | Carreras, Domingo, Pavarotti, Mehta | |
| 1991 | 3 Concertos & 3 Sonates pour violoncelle | | | Vivaldi; Christophe Coin, Academy of Ancient Music, Christopher Hogwood | |
| 1991 | Carmina Burana | The Decca Record Company Limited, London | | Orff; Lynne Dawson, John Daniecki, Kevin McMillan, San Francisco Symphony & Chorus, Herbert Blomstedt | |
| 1991 | Color Music | | | Michael Torke; Baltimore Symphony Orchestra, David Zinman | |
| 1991 | Famous Tenor Arias | The Decca Record Co. Ltd | | Carlo Bergonzi, Giuseppe di Stefano and Bruno Prevedi | |
| 1991 | Palmarès du cinéma | The Decca Records Company Ltd. (London) | | Various Artists | |
| 1991 | The Essential Mozart: Fifteen of His Most Popular Pieces | | | Wolfgang Amadeus Mozart | |
| 1992 | Mein Vaterland | | | Friedrich Smetana; Israel Philharmonic Orchestra, Walter Weller | |
| 1992 – 1994 | Passacaglia, Op.1; 5 Pieces, Op.10; Symphony, Op.21; 6 Pieces, Op.6; Variations, Op.30; Im Sommerwind | | | Webern; Cleveland Orchestra, Christoph von Dohnányi | |
| 1992 – | The Essential Michael Nyman Band | | | Michael Nyman | |
| 1993 | Classic Commercials | | | Various Artists | |
| 1993 – | Symphony no. 5 | | | Anton Bruckner; The Cleveland Orchestra, Christoph von Dohnányi | |
| 1994 | The Essential Music of America | | | Various Artists | |
| 1995 – | Pavarotti & Friends 2 | | | Pavarotti & Friends | |
| 1996 | From the Beginning | | | Small Faces | |
| 1996 | Pure Classic Moods | | | Various Artists | |
| 1996 | The Best of the Moody Blues | The Decca Records Co. Ltd. | | The Moody Blues | |
| 1996 | The Decca Anthology: 1965–1967 | | | Small Faces | |
| 1996 – | Pavarotti & Friends for War Child | | | Pavarotti & Friends | |
| 1997 | Conversations with Bill Evans | The Decca Record Company Limited | | Bill Evans; Jean‐Yves Thibaudet | |
| 1998 | Elizabeth | | | David Hirschfelder | |
| 1998 | Waking Ned Devine | | | Shaun Davey | |
| 1999 | The Decca Years 1955–1975 | | | Kenneth McKellar | |
| 2000 – | Leçons de ténèbres / Motets / Magnificat | | | F. Couperin; Véronique Gens, Sandrine Piau, Emmanuel Balssa, Christophe Rousset, Les Talens Lyriques | |
| Cunning Stunts | | | Caravan | |
| Favourite Piano Works | | | Chopin | |
| See all 112 relationships |
| licensed |
|---|
| Beautiful Music | | | Mantovani and His Orchestra | |
| Christmas Through the Years | The Decca Record Co. Ltd. | | Various Artists | |
| Don Quixote / Till Eulenspiegel / Don Juan | | | Richard Strauss; Pierre Fournier, Ernst Moraweg, Vienna Philharmonic Orchestra, Clemens Krauss | |
| Film Favourites | | | Mantovani and His Orchestra | |
| Love Like a Man / If You Should Love Me | | | Ten Years After | |
| Luciano Pavarotti in Concert | Decca Record Co. Limited | | Luciano Pavarotti | |
| Noël: A Celebration of Christmas Classical Music | The Decca Record Company Limited | | Luciano Pavarotti, Kiri Te Kanawa, Joan Sutherland, Sir Georg Solti | |
| Playtime | The Decca Record Co. | | Don Rendell Jazz Six | |
| Poor Boy | The Decca Record Company Limited | | Chicken Shack | |
| Struck Down | The Decca Record Company Limited | | Yesterday and Today | |
| Sugar Me / Storm in a Teacup | | | Lynsey De Paul | |
| The Muffin Man | | | World Of Oz | |
| The Puccini Collection | | | Various Artists | |
| The Wonder of Christmas | The Decca Record Co. Ltd. | | Various Artists | |
| Why, Oh Why, Oh Why | | | Gilbert O’Sullivan | |
| Yesterday and Today | The Decca Record Company Limited | | Yesterday and Today | |
| licensee for |
|---|
| The Choir: Original Soundtrack Recording | The Decca Record Company Limited | | Various Artists | |
| manufactured |
|---|
| A Message to Martha (Kentucky Bluebird) / The Last One to Be Loved | | | Lou Johnson | |
| Apres Ski | The Decca Record Co. Ltd | | Eric Rogers | |
| Das Rheingold | | | Richard Wagner; London, Flagstad, Svanholm, Neidlinger, Vienna Philharmonic Orchestra, Solti | |
| David Bowie | | | David Bowie | |
| David Bowie | | | David Bowie | |
| Francene / Down Brownie | The Decca Record Co. Ltd. | | Z Z Top | |
| Francene / Down Brownie | The Decca Record Co Ltd. | | Z Z Top | |
| From Genesis to Revelation | | | Genesis | |
| I Hear You Knocking / Black Bill | | | Dave Edmunds | |
| Little Ole You / Guilty | Decca Record Co LTD | | Jim Reeves | |
| Quits / Always Remember | The Decca Record Co. Ltd. | | Bill Anderson | |
| Scythian Suite / The Prodigal Son | | | Prokofiev; Ansermet, L'Orchestre De La Suisse Romande | |
| The Monkees | | | The Monkees | |
| The New Beer Barrel Polka | The Decca Record Co. Ltd. | | Will Glahé and His Orchestra | |
| published |
|---|
| Boogietrap / 1919 Rag | The Decca Record C° Ltd | | Dutch Swing College Band | |
| Boogietrap / 1919 Rag | The Decca Record C° Ltd | | The Dutch Swing College Band | |
| Messiaen: Poèmes pour Mi / Tippett: Songs for Dov | | | Olivier Messiaen, Sir Michael Tippett | |
| Piano Trios 1 & 2 | | | Brahms; Julius Katchen, Josef Suk, János Starker | |
| Prometheus: Poem of Fire / Piano Concerto in F sharp minor | | | Scriabin; Vladimir Ashkenazy, London Philharmonic Orchestra, Lorin Maazel | |
